La Música
Capítulo 9—Testimonio a un director de coro susceptible
Cualquier cosa que esté relacionada de alguna manera con el culto religioso debe ser digna, solemne e impresionante.—Manuscrito 5, 1874; Mensajes Selectos 3:380.
1764
Mu
La Música
[{"para_id":"1764.2","title":"La m\u00fasica","mp3":"\/mp3\/1764\/0000_spa_f_prefacio_1764_2.mp3#duration=83&size=1011490"},{"para_id":"1764.37","title":"Cap\u00edtulo 1\u2014El papel de la m\u00fasica","mp3":"\/mp3\/1764\/0001_spa_f_capitulo_1_el_papel_de_la_musica_1764_37.mp3#duration=23&size=650851"},{"para_id":"1764.40","title":"El poder del canto","mp3":"\/mp3\/1764\/0002_spa_f_el_poder_del_canto_1764_40.mp3#duration=127&size=1277795"},{"para_id":"1764.47","title":"Un arma contra el des\u00e1nimo","mp3":"\/mp3\/1764\/0003_spa_f_un_arma_contra_el_desanimo_1764_47.mp3#duration=39&size=747794"},{"para_id":"1764.51","title":"Para grabar verdades espirituales","mp3":"\/mp3\/1764\/0004_spa_f_para_grabar_verdades_espirituales_1764_51.mp3#duration=17&size=619031"},{"para_id":"1764.53","title":"Para fortalecer la vida cristiana","mp3":"\/mp3\/1764\/0005_spa_f_para_fortalecer_la_vida_cristiana_1764_53.mp3#duration=67&size=920634"},{"para_id":"1764.58","title":"Para hacer m\u00e1s agradable el trabajo","mp3":"\/mp3\/1764\/0006_spa_f_para_hacer_mas_agradable_el_trabajo_1764_58.mp3#duration=7&size=558692"},{"para_id":"1764.60","title":"Aleja al enemigo","mp3":"\/mp3\/1764\/0007_spa_f_aleja_al_enemigo_1764_60.mp3#duration=26&size=673715"},{"para_id":"1764.62","title":"Como medio para vencer la tentaci\u00f3n","mp3":"\/mp3\/1764\/0008_spa_f_como_medio_para_vencer_la_tentacion_1764_62.mp3#duration=36&size=734547"},{"para_id":"1764.66","title":"Para traer alegr\u00eda del cielo","mp3":"\/mp3\/1764\/0009_spa_f_para_traer_alegria_del_cielo_1764_66.mp3#duration=25&size=663541"},{"para_id":"1764.68","title":"Cristo entonaba cantos de alabanza","mp3":"\/mp3\/1764\/0010_spa_f_cristo_entonaba_cantos_de_alabanza_1764_68.mp3#duration=40&size=756960"},{"para_id":"1764.72","title":"Cap\u00edtulo 2\u2014El uso eficaz de la m\u00fasica en Israel","mp3":"\/mp3\/1764\/0011_spa_f_capitulo_2_el_uso_eficaz_de_la_musica_en_israel_1764_72.mp3#duration=18&size=623438"},{"para_id":"1764.75","title":"Fijaba las lecciones en la mente","mp3":"\/mp3\/1764\/0012_spa_f_fijaba_las_lecciones_en_la_mente_1764_75.mp3#duration=78&size=985992"},{"para_id":"1764.78","title":"Parte del curr\u00edculum en la escuela de los profetas","mp3":"\/mp3\/1764\/0013_spa_f_parte_del_curriculum_en_la_escuela_de_los_profetas_1764_78.mp3#duration=29&size=688328"},{"para_id":"1764.82","title":"Ten\u00eda un prop\u00f3sito santo","mp3":"\/mp3\/1764\/0014_spa_f_tenia_un_proposito_santo_1764_82.mp3#duration=97&size=1095432"},{"para_id":"1764.87","title":"Tra\u00eda a la memoria las historias del pasado","mp3":"\/mp3\/1764\/0015_spa_f_traia_a_la_memoria_las_historias_del_pasado_1764_87.mp3#duration=54&size=837844"},{"para_id":"1764.90","title":"Cap\u00edtulo 3\u2014Caracter\u00edsticas de la buena m\u00fasica","mp3":"\/mp3\/1764\/0016_spa_f_capitulo_3_caracteristicas_de_la_buena_musica_1764_90.mp3#duration=23&size=651963"},{"para_id":"1764.93","title":"Entonaci\u00f3n clara, pronunciaci\u00f3n n\u00edtida","mp3":"\/mp3\/1764\/0017_spa_f_entonacion_clara_pronunciacion_nitida_1764_93.mp3#duration=55&size=848030"},{"para_id":"1764.95","title":"Factores de la m\u00fasica efectiva","mp3":"\/mp3\/1764\/0018_spa_f_factores_de_la_musica_efectiva_1764_95.mp3#duration=72&size=948061"},{"para_id":"1764.100","title":"Poder afectivo y musicalidad en la voz humana","mp3":"\/mp3\/1764\/0019_spa_f_poder_afectivo_y_musicalidad_en_la_voz_humana_1764_100.mp3#duration=21&size=638642"},{"para_id":"1764.102","title":"Volumen moderado y tonalidad natural","mp3":"\/mp3\/1764\/0020_spa_f_volumen_moderado_y_tonalidad_natural_1764_102.mp3#duration=56&size=853251"},{"para_id":"1764.107","title":"Con solemnidad y reverencia","mp3":"\/mp3\/1764\/0021_spa_f_con_solemnidad_y_reverencia_1764_107.mp3#duration=22&size=645520"},{"para_id":"1764.109","title":"Con melod\u00eda y nitidez","mp3":"\/mp3\/1764\/0022_spa_f_con_melodia_y_nitidez_1764_109.mp3#duration=105&size=1147114"},{"para_id":"1764.114","title":"Como un don de Dios","mp3":"\/mp3\/1764\/0023_spa_f_como_un_don_de_dios_1764_114.mp3#duration=32&size=707736"},{"para_id":"1764.116","title":"Canto coral y de la congregaci\u00f3n","mp3":"\/mp3\/1764\/0024_spa_f_canto_coral_y_de_la_congregacion_1764_116.mp3#duration=38&size=741496"},{"para_id":"1764.120","title":"El servicio de canto","mp3":"\/mp3\/1764\/0025_spa_f_el_servicio_de_canto_1764_120.mp3#duration=11&size=584543"},{"para_id":"1764.122","title":"El uso de instrumentos musicales","mp3":"\/mp3\/1764\/0026_spa_f_el_uso_de_instrumentos_musicales_1764_122.mp3#duration=29&size=688157"},{"para_id":"1764.124","title":"M\u00fasica instrumental en el congreso de la Asociaci\u00f3n General de 1905","mp3":"\/mp3\/1764\/0027_spa_f_musica_instrumental_en_el_congreso_de_la_asociacion_general_de_1905_1764_124.mp3#duration=20&size=636785"},{"para_id":"1764.127","title":"Cap\u00edtulo 4\u2014Lo que debe ser evitado","mp3":"\/mp3\/1764\/0028_spa_f_capitulo_4_lo_que_debe_ser_evitado_1764_127.mp3#duration=22&size=647254"},{"para_id":"1764.130","title":"Voces estridentes","mp3":"\/mp3\/1764\/0029_spa_f_voces_estridentes_1764_130.mp3#duration=59&size=869689"},{"para_id":"1764.133","title":"Jerigonza y discordancia","mp3":"\/mp3\/1764\/0030_spa_f_jerigonza_y_discordancia_1764_133.mp3#duration=29&size=687523"},{"para_id":"1764.136","title":"M\u00fasicos mundanos y gastos innecesarios","mp3":"\/mp3\/1764\/0031_spa_f_musicos_mundanos_y_gastos_innecesarios_1764_136.mp3#duration=30&size=697882"},{"para_id":"1764.140","title":"Cap\u00edtulo 5\u2014M\u00fasica religiosa transformada en una trampa de Satan\u00e1s","mp3":"\/mp3\/1764\/0032_spa_f_capitulo_5_musica_religiosa_transformada_en_una_trampa_de_satanas_1764_140.mp3#duration=42&size=765466"},{"para_id":"1764.143","title":"La m\u00fasica de la reuni\u00f3n campestre de Indiana en 1900 descrita por testigos oculares","mp3":"\/mp3\/1764\/0033_spa_f_la_musica_de_la_reunion_campestre_de_indiana_en_1900_descrita_por_testigos_1764_143.mp3#duration=215&size=1805967"},{"para_id":"1764.154","title":"Comentarios de Elena G. de White sobre la m\u00fasica en la reuni\u00f3n campestre de Indiana en 1900","mp3":"\/mp3\/1764\/0034_spa_f_comentarios_de_elena_g_de_white_sobre_la_musica_en_la_reunion_campestre_de_1764_154.mp3#duration=389&size=2849004"},{"para_id":"1764.176","title":"Cap\u00edtulo 6\u2014La atracci\u00f3n de la m\u00fasica mundana","mp3":"\/mp3\/1764\/0035_spa_f_capitulo_6_la_atraccion_de_la_musica_mundana_1764_176.mp3#duration=15&size=605263"},{"para_id":"1764.179","title":"No hab\u00eda valses fr\u00edvolos ni cantos impertinentes en las escuelas de los profetas","mp3":"\/mp3\/1764\/0036_spa_f_no_habia_valses_frivolos_ni_cantos_impertinentes_en_las_escuelas_de_los_1764_179.mp3#duration=30&size=696985"},{"para_id":"1764.181","title":"Cuando Satan\u00e1s toma el control","mp3":"\/mp3\/1764\/0037_spa_f_cuando_satanas_toma_el_control_1764_181.mp3#duration=78&size=980985"},{"para_id":"1764.186","title":"M\u00fasica mal utilizada","mp3":"\/mp3\/1764\/0038_spa_f_musica_mal_utilizada_1764_186.mp3#duration=117&size=1217331"},{"para_id":"1764.191","title":"Satan\u00e1s la utiliza para obtener acceso","mp3":"\/mp3\/1764\/0039_spa_f_satanas_la_utiliza_para_obtener_acceso_1764_191.mp3#duration=151&size=1419958"},{"para_id":"1764.195","title":"Cantos viles y ademanes sensuales","mp3":"\/mp3\/1764\/0040_spa_f_cantos_viles_y_ademanes_sensuales_1764_195.mp3#duration=63&size=893059"},{"para_id":"1764.198","title":"Israel hechizado por la m\u00fasica pagana","mp3":"\/mp3\/1764\/0041_spa_f_israel_hechizado_por_la_musica_pagana_1764_198.mp3#duration=61&size=882140"},{"para_id":"1764.204","title":"Entretenimientos musicales para obtener una atm\u00f3sfera religiosa","mp3":"\/mp3\/1764\/0042_spa_f_entretenimientos_musicales_para_obtener_una_atmosfera_religiosa_1764_204.mp3#duration=67&size=916130"},{"para_id":"1764.208","title":"El peligro de los entretenimientos mundanos","mp3":"\/mp3\/1764\/0043_spa_f_el_peligro_de_los_entretenimientos_mundanos_1764_208.mp3#duration=39&size=749608"},{"para_id":"1764.212","title":"Cap\u00edtulo 7\u2014M\u00fasica secular","mp3":"\/mp3\/1764\/0044_spa_f_capitulo_7_musica_secular_1764_212.mp3#duration=13&size=595994"},{"para_id":"1764.215","title":"Caracter\u00edsticas de la m\u00fasica secular aceptable","mp3":"\/mp3\/1764\/0045_spa_f_caracteristicas_de_la_musica_secular_aceptable_1764_215.mp3#duration=37&size=739739"},{"para_id":"1764.217","title":"Hermosa m\u00fasica instrumental","mp3":"\/mp3\/1764\/0046_spa_f_hermosa_musica_instrumental_1764_217.mp3#duration=35&size=725299"},{"para_id":"1764.219","title":"Un concierto indescriptible","mp3":"\/mp3\/1764\/0047_spa_f_un_concierto_indescriptible_1764_219.mp3#duration=22&size=649439"},{"para_id":"1764.225","title":"Cap\u00edtulo 8\u2014Los m\u00fasicos","mp3":"\/mp3\/1764\/0048_spa_f_capitulo_8_los_musicos_1764_225.mp3#duration=10&size=578438"},{"para_id":"1764.228","title":"Ambici\u00f3n por exhibirse","mp3":"\/mp3\/1764\/0049_spa_f_ambicion_por_exhibirse_1764_228.mp3#duration=46&size=794572"},{"para_id":"1764.230","title":"Cantar para exhibirse: consejos a un director de m\u00fasica","mp3":"\/mp3\/1764\/0050_spa_f_cantar_para_exhibirse_consejos_a_un_director_de_musica_1764_230.mp3#duration=41&size=764199"},{"para_id":"1764.233","title":"M\u00fasica que ofende a Dios","mp3":"\/mp3\/1764\/0051_spa_f_musica_que_ofende_a_dios_1764_233.mp3#duration=48&size=803242"},{"para_id":"1764.236","title":"M\u00fasica aceptable para Dios","mp3":"\/mp3\/1764\/0052_spa_f_musica_aceptable_para_dios_1764_236.mp3#duration=27&size=678435"},{"para_id":"1764.240","title":"Cap\u00edtulo 9\u2014Testimonio a un director de coro susceptible","mp3":"\/mp3\/1764\/0053_spa_f_capitulo_9_testimonio_a_un_director_de_coro_susceptible_1764_240.mp3#duration=13&size=595397"},{"para_id":"1764.243","title":"La mundanalidad en la m\u00fasica","mp3":"\/mp3\/1764\/0054_spa_f_la_mundanalidad_en_la_musica_1764_243.mp3#duration=63&size=896345"},{"para_id":"1764.246","title":"M\u00fasica dignificada, solemne e impresionante","mp3":"\/mp3\/1764\/0055_spa_f_musica_dignificada_solemne_e_impresionante_1764_246.mp3#duration=102&size=1129582"},{"para_id":"1764.251","title":"No se tocan sentimientos ni se subyuga el coraz\u00f3n","mp3":"\/mp3\/1764\/0056_spa_f_no_se_tocan_sentimientos_ni_se_subyuga_el_corazon_1764_251.mp3#duration=65&size=902902"},{"para_id":"1764.255","title":"Todas las cosas deb\u00edan hacerse a su gusto","mp3":"\/mp3\/1764\/0057_spa_f_todas_las_cosas_debian_hacerse_a_su_gusto_1764_255.mp3#duration=91&size=1062858"},{"para_id":"1764.260","title":"El poder de la m\u00fasica","mp3":"\/mp3\/1764\/0058_spa_f_el_poder_de_la_musica_1764_260.mp3#duration=88&size=1045598"},{"para_id":"1764.264","title":"Los tonos m\u00e1s suaves son ahogados","mp3":"\/mp3\/1764\/0059_spa_f_los_tonos_mas_suaves_son_ahogados_1764_264.mp3#duration=63&size=891648"},{"para_id":"1764.270","title":"Ap\u00e9ndice 1\u2014Una filosof\u00eda adventista acerca de la m\u00fasica","mp3":"\/mp3\/1764\/0060_spa_f_apendice_1_una_filosofia_adventista_acerca_de_la_musica_1764_270.mp3#duration=237&size=1940156"},{"para_id":"1764.283","title":"Definiciones","mp3":"\/mp3\/1764\/0061_spa_f_definiciones_1764_283.mp3#duration=82&size=1004947"},{"para_id":"1764.286","title":"Principios guiadores para el cristiano","mp3":"\/mp3\/1764\/0062_spa_f_principios_guiadores_para_el_cristiano_1764_286.mp3#duration=223&size=1852129"},{"para_id":"1764.304","title":"Ap\u00e9ndice 2\u2014La m\u00fasica en la IASD de Sudam\u00e9rica","mp3":"\/mp3\/1764\/0063_spa_f_apendice_2_la_musica_en_la_iasd_de_sudamerica_1764_304.mp3#duration=232&size=1909631"},{"para_id":"1764.318","title":"1. El m\u00fasico","mp3":"\/mp3\/1764\/0064_spa_f_1_el_musico_1764_318.mp3#duration=132&size=1309537"},{"para_id":"1764.334","title":"2. La m\u00fasica","mp3":"\/mp3\/1764\/0065_spa_f_2_la_musica_1764_334.mp3#duration=137&size=1335426"},{"para_id":"1764.343","title":"3. La letra","mp3":"\/mp3\/1764\/0066_spa_f_3_la_letra_1764_343.mp3#duration=51&size=823433"},{"para_id":"1764.350","title":"4. La alabanza de la congregaci\u00f3n","mp3":"\/mp3\/1764\/0067_spa_f_4_la_alabanza_de_la_congregacion_1764_350.mp3#duration=141&size=1363053"},{"para_id":"1764.367","title":"5. Los instrumentos","mp3":"\/mp3\/1764\/0068_spa_f_5_los_instrumentos_1764_367.mp3#duration=93&size=1074060"},{"para_id":"1764.374","title":"6. Las producciones musicales","mp3":"\/mp3\/1764\/0069_spa_f_6_las_producciones_musicales_1764_374.mp3#duration=70&size=935045"},{"para_id":"1764.380","title":"7. La educaci\u00f3n musical","mp3":"\/mp3\/1764\/0070_spa_f_7_la_educacion_musical_1764_380.mp3#duration=85&size=1027780"},{"para_id":"1764.387","title":"8. La administraci\u00f3n de la m\u00fasica en la iglesia","mp3":"\/mp3\/1764\/0071_spa_f_8_la_administracion_de_la_musica_en_la_iglesia_1764_387.mp3#duration=106&size=1149574"},{"para_id":"1764.397","title":"9. La m\u00fasica en la evangelizaci\u00f3n","mp3":"\/mp3\/1764\/0072_spa_f_9_la_musica_en_la_evangelizacion_1764_397.mp3#duration=37&size=740244"},{"para_id":"1764.400","title":"10. La m\u00fasica en el culto","mp3":"\/mp3\/1764\/0073_spa_f_10_la_musica_en_el_culto_1764_400.mp3#duration=64&size=900513"},{"para_id":"1764.407","title":"11. El equipo de audio y v\u00eddeo","mp3":"\/mp3\/1764\/0074_spa_f_11_el_equipo_de_audio_y_video_1764_407.mp3#duration=44&size=777121"},{"para_id":"1764.411","title":"12. La m\u00fasica secular","mp3":"\/mp3\/1764\/0075_spa_f_12_la_musica_secular_1764_411.mp3#duration=51&size=820684"},{"para_id":"1764.416","title":"Conclusiones","mp3":"\/mp3\/1764\/0076_spa_f_conclusiones_1764_416.mp3#duration=132&size=1306322"},{"para_id":"1764.428","title":"Gu\u00eda de estudio","mp3":"\/mp3\/1764\/0077_spa_f_guia_de_estudio_1764_428.mp3#duration=153&size=1436961"},{"para_id":"1764.458","title":"2. El uso eficaz de la m\u00fasica en Israel","mp3":"\/mp3\/1764\/0078_spa_f_2_el_uso_eficaz_de_la_musica_en_israel_1764_458.mp3#duration=73&size=953198"},{"para_id":"1764.475","title":"3. Caracter\u00edsticas de la buena m\u00fasica","mp3":"\/mp3\/1764\/0079_spa_f_3_caracteristicas_de_la_buena_musica_1764_475.mp3#duration=232&size=1908028"},{"para_id":"1764.516","title":"4. Lo que debe ser evitado","mp3":"\/mp3\/1764\/0080_spa_f_4_lo_que_debe_ser_evitado_1764_516.mp3#duration=102&size=1129620"},{"para_id":"1764.531","title":"5. M\u00fasica religiosa transformada en una trampa de Satan\u00e1s","mp3":"\/mp3\/1764\/0081_spa_f_5_musica_religiosa_transformada_en_una_trampa_de_satanas_1764_531.mp3#duration=223&size=1856372"},{"para_id":"1764.573","title":"6. La atracci\u00f3n de la m\u00fasica mundana","mp3":"\/mp3\/1764\/0082_spa_f_6_la_atraccion_de_la_musica_mundana_1764_573.mp3#duration=271&size=2142569"},{"para_id":"1764.623","title":"7. M\u00fasica secular","mp3":"\/mp3\/1764\/0083_spa_f_7_musica_secular_1764_623.mp3#duration=37&size=738647"},{"para_id":"1764.629","title":"8. Los m\u00fasicos","mp3":"\/mp3\/1764\/0084_spa_f_8_los_musicos_1764_629.mp3#duration=128&size=1285328"},{"para_id":"1764.650","title":"9. Testimonio a un director de coro susceptible","mp3":"\/mp3\/1764\/0085_spa_f_9_testimonio_a_un_director_de_coro_susceptible_1764_650.mp3#duration=205&size=1745574"}]