La Música
No había valses frívolos ni cantos impertinentes en las escuelas de los profetas
El arte de la melodía sacra era diligentemente cultivado. No se escuchaban valses frívolos, ni cantos impertinentes que ensalzaran al hombre y apartaran la atención de Dios; sino sagrados y solemnes salmos de alabanza al Creador, que exaltaban su nombre y hacían recuento de sus obras maravillosas.—La Voz: Su Educación y Uso Correcto, 497. Mu 36.1
1764
Mu
La Música
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reverencia","mp3":"\/mp3\/1764\/0021_spa_f_con_solemnidad_y_reverencia_1764_107.mp3#duration=22&size=645520"},{"para_id":"1764.109","title":"Con melod\u00eda y nitidez","mp3":"\/mp3\/1764\/0022_spa_f_con_melodia_y_nitidez_1764_109.mp3#duration=105&size=1147114"},{"para_id":"1764.114","title":"Como un don de Dios","mp3":"\/mp3\/1764\/0023_spa_f_como_un_don_de_dios_1764_114.mp3#duration=32&size=707736"},{"para_id":"1764.116","title":"Canto coral y de la congregaci\u00f3n","mp3":"\/mp3\/1764\/0024_spa_f_canto_coral_y_de_la_congregacion_1764_116.mp3#duration=38&size=741496"},{"para_id":"1764.120","title":"El servicio de canto","mp3":"\/mp3\/1764\/0025_spa_f_el_servicio_de_canto_1764_120.mp3#duration=11&size=584543"},{"para_id":"1764.122","title":"El uso de instrumentos musicales","mp3":"\/mp3\/1764\/0026_spa_f_el_uso_de_instrumentos_musicales_1764_122.mp3#duration=29&size=688157"},{"para_id":"1764.124","title":"M\u00fasica instrumental en el congreso de la Asociaci\u00f3n General de 1905","mp3":"\/mp3\/1764\/0027_spa_f_musica_instrumental_en_el_congreso_de_la_asociacion_general_de_1905_1764_124.mp3#duration=20&size=636785"},{"para_id":"1764.127","title":"Cap\u00edtulo 4\u2014Lo que debe ser evitado","mp3":"\/mp3\/1764\/0028_spa_f_capitulo_4_lo_que_debe_ser_evitado_1764_127.mp3#duration=22&size=647254"},{"para_id":"1764.130","title":"Voces estridentes","mp3":"\/mp3\/1764\/0029_spa_f_voces_estridentes_1764_130.mp3#duration=59&size=869689"},{"para_id":"1764.133","title":"Jerigonza y discordancia","mp3":"\/mp3\/1764\/0030_spa_f_jerigonza_y_discordancia_1764_133.mp3#duration=29&size=687523"},{"para_id":"1764.136","title":"M\u00fasicos mundanos y gastos innecesarios","mp3":"\/mp3\/1764\/0031_spa_f_musicos_mundanos_y_gastos_innecesarios_1764_136.mp3#duration=30&size=697882"},{"para_id":"1764.140","title":"Cap\u00edtulo 5\u2014M\u00fasica religiosa transformada en una trampa de 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pagana","mp3":"\/mp3\/1764\/0041_spa_f_israel_hechizado_por_la_musica_pagana_1764_198.mp3#duration=61&size=882140"},{"para_id":"1764.204","title":"Entretenimientos musicales para obtener una atm\u00f3sfera religiosa","mp3":"\/mp3\/1764\/0042_spa_f_entretenimientos_musicales_para_obtener_una_atmosfera_religiosa_1764_204.mp3#duration=67&size=916130"},{"para_id":"1764.208","title":"El peligro de los entretenimientos mundanos","mp3":"\/mp3\/1764\/0043_spa_f_el_peligro_de_los_entretenimientos_mundanos_1764_208.mp3#duration=39&size=749608"},{"para_id":"1764.212","title":"Cap\u00edtulo 7\u2014M\u00fasica secular","mp3":"\/mp3\/1764\/0044_spa_f_capitulo_7_musica_secular_1764_212.mp3#duration=13&size=595994"},{"para_id":"1764.215","title":"Caracter\u00edsticas de la m\u00fasica secular aceptable","mp3":"\/mp3\/1764\/0045_spa_f_caracteristicas_de_la_musica_secular_aceptable_1764_215.mp3#duration=37&size=739739"},{"para_id":"1764.217","title":"Hermosa m\u00fasica instrumental","mp3":"\/mp3\/1764\/0046_spa_f_hermosa_musica_instrumental_1764_217.mp3#duration=35&size=725299"},{"para_id":"1764.219","title":"Un concierto indescriptible","mp3":"\/mp3\/1764\/0047_spa_f_un_concierto_indescriptible_1764_219.mp3#duration=22&size=649439"},{"para_id":"1764.225","title":"Cap\u00edtulo 8\u2014Los m\u00fasicos","mp3":"\/mp3\/1764\/0048_spa_f_capitulo_8_los_musicos_1764_225.mp3#duration=10&size=578438"},{"para_id":"1764.228","title":"Ambici\u00f3n por exhibirse","mp3":"\/mp3\/1764\/0049_spa_f_ambicion_por_exhibirse_1764_228.mp3#duration=46&size=794572"},{"para_id":"1764.230","title":"Cantar para exhibirse: consejos a un director de m\u00fasica","mp3":"\/mp3\/1764\/0050_spa_f_cantar_para_exhibirse_consejos_a_un_director_de_musica_1764_230.mp3#duration=41&size=764199"},{"para_id":"1764.233","title":"M\u00fasica que ofende a Dios","mp3":"\/mp3\/1764\/0051_spa_f_musica_que_ofende_a_dios_1764_233.mp3#duration=48&size=803242"},{"para_id":"1764.236","title":"M\u00fasica aceptable para Dios","mp3":"\/mp3\/1764\/0052_spa_f_musica_aceptable_para_dios_1764_236.mp3#duration=27&size=678435"},{"para_id":"1764.240","title":"Cap\u00edtulo 9\u2014Testimonio a un director de coro susceptible","mp3":"\/mp3\/1764\/0053_spa_f_capitulo_9_testimonio_a_un_director_de_coro_susceptible_1764_240.mp3#duration=13&size=595397"},{"para_id":"1764.243","title":"La mundanalidad en la m\u00fasica","mp3":"\/mp3\/1764\/0054_spa_f_la_mundanalidad_en_la_musica_1764_243.mp3#duration=63&size=896345"},{"para_id":"1764.246","title":"M\u00fasica dignificada, solemne e impresionante","mp3":"\/mp3\/1764\/0055_spa_f_musica_dignificada_solemne_e_impresionante_1764_246.mp3#duration=102&size=1129582"},{"para_id":"1764.251","title":"No se tocan sentimientos ni se subyuga el coraz\u00f3n","mp3":"\/mp3\/1764\/0056_spa_f_no_se_tocan_sentimientos_ni_se_subyuga_el_corazon_1764_251.mp3#duration=65&size=902902"},{"para_id":"1764.255","title":"Todas las cosas deb\u00edan hacerse a su gusto","mp3":"\/mp3\/1764\/0057_spa_f_todas_las_cosas_debian_hacerse_a_su_gusto_1764_255.mp3#duration=91&size=1062858"},{"para_id":"1764.260","title":"El poder de la m\u00fasica","mp3":"\/mp3\/1764\/0058_spa_f_el_poder_de_la_musica_1764_260.mp3#duration=88&size=1045598"},{"para_id":"1764.264","title":"Los tonos m\u00e1s suaves son ahogados","mp3":"\/mp3\/1764\/0059_spa_f_los_tonos_mas_suaves_son_ahogados_1764_264.mp3#duration=63&size=891648"},{"para_id":"1764.270","title":"Ap\u00e9ndice 1\u2014Una filosof\u00eda adventista acerca de la m\u00fasica","mp3":"\/mp3\/1764\/0060_spa_f_apendice_1_una_filosofia_adventista_acerca_de_la_musica_1764_270.mp3#duration=237&size=1940156"},{"para_id":"1764.283","title":"Definiciones","mp3":"\/mp3\/1764\/0061_spa_f_definiciones_1764_283.mp3#duration=82&size=1004947"},{"para_id":"1764.286","title":"Principios guiadores para el cristiano","mp3":"\/mp3\/1764\/0062_spa_f_principios_guiadores_para_el_cristiano_1764_286.mp3#duration=223&size=1852129"},{"para_id":"1764.304","title":"Ap\u00e9ndice 2\u2014La m\u00fasica en la IASD de Sudam\u00e9rica","mp3":"\/mp3\/1764\/0063_spa_f_apendice_2_la_musica_en_la_iasd_de_sudamerica_1764_304.mp3#duration=232&size=1909631"},{"para_id":"1764.318","title":"1. El m\u00fasico","mp3":"\/mp3\/1764\/0064_spa_f_1_el_musico_1764_318.mp3#duration=132&size=1309537"},{"para_id":"1764.334","title":"2. La m\u00fasica","mp3":"\/mp3\/1764\/0065_spa_f_2_la_musica_1764_334.mp3#duration=137&size=1335426"},{"para_id":"1764.343","title":"3. La letra","mp3":"\/mp3\/1764\/0066_spa_f_3_la_letra_1764_343.mp3#duration=51&size=823433"},{"para_id":"1764.350","title":"4. La alabanza de la congregaci\u00f3n","mp3":"\/mp3\/1764\/0067_spa_f_4_la_alabanza_de_la_congregacion_1764_350.mp3#duration=141&size=1363053"},{"para_id":"1764.367","title":"5. Los instrumentos","mp3":"\/mp3\/1764\/0068_spa_f_5_los_instrumentos_1764_367.mp3#duration=93&size=1074060"},{"para_id":"1764.374","title":"6. Las producciones musicales","mp3":"\/mp3\/1764\/0069_spa_f_6_las_producciones_musicales_1764_374.mp3#duration=70&size=935045"},{"para_id":"1764.380","title":"7. La educaci\u00f3n musical","mp3":"\/mp3\/1764\/0070_spa_f_7_la_educacion_musical_1764_380.mp3#duration=85&size=1027780"},{"para_id":"1764.387","title":"8. La administraci\u00f3n de la m\u00fasica en la iglesia","mp3":"\/mp3\/1764\/0071_spa_f_8_la_administracion_de_la_musica_en_la_iglesia_1764_387.mp3#duration=106&size=1149574"},{"para_id":"1764.397","title":"9. La m\u00fasica en la evangelizaci\u00f3n","mp3":"\/mp3\/1764\/0072_spa_f_9_la_musica_en_la_evangelizacion_1764_397.mp3#duration=37&size=740244"},{"para_id":"1764.400","title":"10. La m\u00fasica en el culto","mp3":"\/mp3\/1764\/0073_spa_f_10_la_musica_en_el_culto_1764_400.mp3#duration=64&size=900513"},{"para_id":"1764.407","title":"11. El equipo de audio y v\u00eddeo","mp3":"\/mp3\/1764\/0074_spa_f_11_el_equipo_de_audio_y_video_1764_407.mp3#duration=44&size=777121"},{"para_id":"1764.411","title":"12. La m\u00fasica secular","mp3":"\/mp3\/1764\/0075_spa_f_12_la_musica_secular_1764_411.mp3#duration=51&size=820684"},{"para_id":"1764.416","title":"Conclusiones","mp3":"\/mp3\/1764\/0076_spa_f_conclusiones_1764_416.mp3#duration=132&size=1306322"},{"para_id":"1764.428","title":"Gu\u00eda de estudio","mp3":"\/mp3\/1764\/0077_spa_f_guia_de_estudio_1764_428.mp3#duration=153&size=1436961"},{"para_id":"1764.458","title":"2. El uso eficaz de la m\u00fasica en Israel","mp3":"\/mp3\/1764\/0078_spa_f_2_el_uso_eficaz_de_la_musica_en_israel_1764_458.mp3#duration=73&size=953198"},{"para_id":"1764.475","title":"3. Caracter\u00edsticas de la buena m\u00fasica","mp3":"\/mp3\/1764\/0079_spa_f_3_caracteristicas_de_la_buena_musica_1764_475.mp3#duration=232&size=1908028"},{"para_id":"1764.516","title":"4. Lo que debe ser evitado","mp3":"\/mp3\/1764\/0080_spa_f_4_lo_que_debe_ser_evitado_1764_516.mp3#duration=102&size=1129620"},{"para_id":"1764.531","title":"5. M\u00fasica religiosa transformada en una trampa de Satan\u00e1s","mp3":"\/mp3\/1764\/0081_spa_f_5_musica_religiosa_transformada_en_una_trampa_de_satanas_1764_531.mp3#duration=223&size=1856372"},{"para_id":"1764.573","title":"6. La atracci\u00f3n de la m\u00fasica mundana","mp3":"\/mp3\/1764\/0082_spa_f_6_la_atraccion_de_la_musica_mundana_1764_573.mp3#duration=271&size=2142569"},{"para_id":"1764.623","title":"7. M\u00fasica secular","mp3":"\/mp3\/1764\/0083_spa_f_7_musica_secular_1764_623.mp3#duration=37&size=738647"},{"para_id":"1764.629","title":"8. Los m\u00fasicos","mp3":"\/mp3\/1764\/0084_spa_f_8_los_musicos_1764_629.mp3#duration=128&size=1285328"},{"para_id":"1764.650","title":"9. Testimonio a un director de coro susceptible","mp3":"\/mp3\/1764\/0085_spa_f_9_testimonio_a_un_director_de_coro_susceptible_1764_650.mp3#duration=205&size=1745574"}]