La Música
Jerigonza y discordancia
Vi que todos deben cantar con el espíritu y con el entendimiento también. A Dios no le complace la jerigonza y la discordancia. Lo correcto le agrada siempre más que lo incorrecto. Y, cuanto más puedan acercarse los hijos de Dios a lo correcto, con canto armonioso, tanto más será él glorificado, la iglesia beneficiada y los no creyentes favorablemente impresionados.—Testimonies for the Church 1:146 (1857); El Evangelismo, 370. Mu 24.3
1764
Mu
La Música
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instrumental","mp3":"\/mp3\/1764\/0046_spa_f_hermosa_musica_instrumental_1764_217.mp3#duration=35&size=725299"},{"para_id":"1764.219","title":"Un concierto indescriptible","mp3":"\/mp3\/1764\/0047_spa_f_un_concierto_indescriptible_1764_219.mp3#duration=22&size=649439"},{"para_id":"1764.225","title":"Cap\u00edtulo 8\u2014Los m\u00fasicos","mp3":"\/mp3\/1764\/0048_spa_f_capitulo_8_los_musicos_1764_225.mp3#duration=10&size=578438"},{"para_id":"1764.228","title":"Ambici\u00f3n por exhibirse","mp3":"\/mp3\/1764\/0049_spa_f_ambicion_por_exhibirse_1764_228.mp3#duration=46&size=794572"},{"para_id":"1764.230","title":"Cantar para exhibirse: consejos a un director de m\u00fasica","mp3":"\/mp3\/1764\/0050_spa_f_cantar_para_exhibirse_consejos_a_un_director_de_musica_1764_230.mp3#duration=41&size=764199"},{"para_id":"1764.233","title":"M\u00fasica que ofende a Dios","mp3":"\/mp3\/1764\/0051_spa_f_musica_que_ofende_a_dios_1764_233.mp3#duration=48&size=803242"},{"para_id":"1764.236","title":"M\u00fasica aceptable para Dios","mp3":"\/mp3\/1764\/0052_spa_f_musica_aceptable_para_dios_1764_236.mp3#duration=27&size=678435"},{"para_id":"1764.240","title":"Cap\u00edtulo 9\u2014Testimonio a un director de coro susceptible","mp3":"\/mp3\/1764\/0053_spa_f_capitulo_9_testimonio_a_un_director_de_coro_susceptible_1764_240.mp3#duration=13&size=595397"},{"para_id":"1764.243","title":"La mundanalidad en la m\u00fasica","mp3":"\/mp3\/1764\/0054_spa_f_la_mundanalidad_en_la_musica_1764_243.mp3#duration=63&size=896345"},{"para_id":"1764.246","title":"M\u00fasica dignificada, solemne e impresionante","mp3":"\/mp3\/1764\/0055_spa_f_musica_dignificada_solemne_e_impresionante_1764_246.mp3#duration=102&size=1129582"},{"para_id":"1764.251","title":"No se tocan sentimientos ni se subyuga el coraz\u00f3n","mp3":"\/mp3\/1764\/0056_spa_f_no_se_tocan_sentimientos_ni_se_subyuga_el_corazon_1764_251.mp3#duration=65&size=902902"},{"para_id":"1764.255","title":"Todas las cosas deb\u00edan hacerse a su gusto","mp3":"\/mp3\/1764\/0057_spa_f_todas_las_cosas_debian_hacerse_a_su_gusto_1764_255.mp3#duration=91&size=1062858"},{"para_id":"1764.260","title":"El poder de la m\u00fasica","mp3":"\/mp3\/1764\/0058_spa_f_el_poder_de_la_musica_1764_260.mp3#duration=88&size=1045598"},{"para_id":"1764.264","title":"Los tonos m\u00e1s suaves son ahogados","mp3":"\/mp3\/1764\/0059_spa_f_los_tonos_mas_suaves_son_ahogados_1764_264.mp3#duration=63&size=891648"},{"para_id":"1764.270","title":"Ap\u00e9ndice 1\u2014Una filosof\u00eda adventista acerca de la m\u00fasica","mp3":"\/mp3\/1764\/0060_spa_f_apendice_1_una_filosofia_adventista_acerca_de_la_musica_1764_270.mp3#duration=237&size=1940156"},{"para_id":"1764.283","title":"Definiciones","mp3":"\/mp3\/1764\/0061_spa_f_definiciones_1764_283.mp3#duration=82&size=1004947"},{"para_id":"1764.286","title":"Principios guiadores para el cristiano","mp3":"\/mp3\/1764\/0062_spa_f_principios_guiadores_para_el_cristiano_1764_286.mp3#duration=223&size=1852129"},{"para_id":"1764.304","title":"Ap\u00e9ndice 2\u2014La m\u00fasica en la IASD de Sudam\u00e9rica","mp3":"\/mp3\/1764\/0063_spa_f_apendice_2_la_musica_en_la_iasd_de_sudamerica_1764_304.mp3#duration=232&size=1909631"},{"para_id":"1764.318","title":"1. El m\u00fasico","mp3":"\/mp3\/1764\/0064_spa_f_1_el_musico_1764_318.mp3#duration=132&size=1309537"},{"para_id":"1764.334","title":"2. La m\u00fasica","mp3":"\/mp3\/1764\/0065_spa_f_2_la_musica_1764_334.mp3#duration=137&size=1335426"},{"para_id":"1764.343","title":"3. La letra","mp3":"\/mp3\/1764\/0066_spa_f_3_la_letra_1764_343.mp3#duration=51&size=823433"},{"para_id":"1764.350","title":"4. La alabanza de la congregaci\u00f3n","mp3":"\/mp3\/1764\/0067_spa_f_4_la_alabanza_de_la_congregacion_1764_350.mp3#duration=141&size=1363053"},{"para_id":"1764.367","title":"5. Los instrumentos","mp3":"\/mp3\/1764\/0068_spa_f_5_los_instrumentos_1764_367.mp3#duration=93&size=1074060"},{"para_id":"1764.374","title":"6. Las producciones musicales","mp3":"\/mp3\/1764\/0069_spa_f_6_las_producciones_musicales_1764_374.mp3#duration=70&size=935045"},{"para_id":"1764.380","title":"7. La educaci\u00f3n musical","mp3":"\/mp3\/1764\/0070_spa_f_7_la_educacion_musical_1764_380.mp3#duration=85&size=1027780"},{"para_id":"1764.387","title":"8. La administraci\u00f3n de la m\u00fasica en la iglesia","mp3":"\/mp3\/1764\/0071_spa_f_8_la_administracion_de_la_musica_en_la_iglesia_1764_387.mp3#duration=106&size=1149574"},{"para_id":"1764.397","title":"9. La m\u00fasica en la evangelizaci\u00f3n","mp3":"\/mp3\/1764\/0072_spa_f_9_la_musica_en_la_evangelizacion_1764_397.mp3#duration=37&size=740244"},{"para_id":"1764.400","title":"10. La m\u00fasica en el culto","mp3":"\/mp3\/1764\/0073_spa_f_10_la_musica_en_el_culto_1764_400.mp3#duration=64&size=900513"},{"para_id":"1764.407","title":"11. El equipo de audio y v\u00eddeo","mp3":"\/mp3\/1764\/0074_spa_f_11_el_equipo_de_audio_y_video_1764_407.mp3#duration=44&size=777121"},{"para_id":"1764.411","title":"12. La m\u00fasica secular","mp3":"\/mp3\/1764\/0075_spa_f_12_la_musica_secular_1764_411.mp3#duration=51&size=820684"},{"para_id":"1764.416","title":"Conclusiones","mp3":"\/mp3\/1764\/0076_spa_f_conclusiones_1764_416.mp3#duration=132&size=1306322"},{"para_id":"1764.428","title":"Gu\u00eda de estudio","mp3":"\/mp3\/1764\/0077_spa_f_guia_de_estudio_1764_428.mp3#duration=153&size=1436961"},{"para_id":"1764.458","title":"2. El uso eficaz de la m\u00fasica en Israel","mp3":"\/mp3\/1764\/0078_spa_f_2_el_uso_eficaz_de_la_musica_en_israel_1764_458.mp3#duration=73&size=953198"},{"para_id":"1764.475","title":"3. Caracter\u00edsticas de la buena m\u00fasica","mp3":"\/mp3\/1764\/0079_spa_f_3_caracteristicas_de_la_buena_musica_1764_475.mp3#duration=232&size=1908028"},{"para_id":"1764.516","title":"4. Lo que debe ser evitado","mp3":"\/mp3\/1764\/0080_spa_f_4_lo_que_debe_ser_evitado_1764_516.mp3#duration=102&size=1129620"},{"para_id":"1764.531","title":"5. M\u00fasica religiosa transformada en una trampa de Satan\u00e1s","mp3":"\/mp3\/1764\/0081_spa_f_5_musica_religiosa_transformada_en_una_trampa_de_satanas_1764_531.mp3#duration=223&size=1856372"},{"para_id":"1764.573","title":"6. La atracci\u00f3n de la m\u00fasica mundana","mp3":"\/mp3\/1764\/0082_spa_f_6_la_atraccion_de_la_musica_mundana_1764_573.mp3#duration=271&size=2142569"},{"para_id":"1764.623","title":"7. M\u00fasica secular","mp3":"\/mp3\/1764\/0083_spa_f_7_musica_secular_1764_623.mp3#duration=37&size=738647"},{"para_id":"1764.629","title":"8. Los m\u00fasicos","mp3":"\/mp3\/1764\/0084_spa_f_8_los_musicos_1764_629.mp3#duration=128&size=1285328"},{"para_id":"1764.650","title":"9. Testimonio a un director de coro susceptible","mp3":"\/mp3\/1764\/0085_spa_f_9_testimonio_a_un_director_de_coro_susceptible_1764_650.mp3#duration=205&size=1745574"}]