La Música
El uso de instrumentos musicales
Hágase participar en la obra el talento del canto. El uso de instrumentos musicales no es de ninguna manera objetable. Estos se utilizaron en los servicios religiosos de los tiempos antiguos. Los adoradores alababan a Dios con arpas y címbalos, de modo que la música debería tener su lugar debido en los servicios de culto. Contribuirá a mantener el interés.—Carta 132, 1898; El Evangelismo, 114. Mu 22.2
1764
Mu
La Música
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instrumental","mp3":"\/mp3\/1764\/0046_spa_f_hermosa_musica_instrumental_1764_217.mp3#duration=35&size=725299"},{"para_id":"1764.219","title":"Un concierto indescriptible","mp3":"\/mp3\/1764\/0047_spa_f_un_concierto_indescriptible_1764_219.mp3#duration=22&size=649439"},{"para_id":"1764.225","title":"Cap\u00edtulo 8\u2014Los m\u00fasicos","mp3":"\/mp3\/1764\/0048_spa_f_capitulo_8_los_musicos_1764_225.mp3#duration=10&size=578438"},{"para_id":"1764.228","title":"Ambici\u00f3n por exhibirse","mp3":"\/mp3\/1764\/0049_spa_f_ambicion_por_exhibirse_1764_228.mp3#duration=46&size=794572"},{"para_id":"1764.230","title":"Cantar para exhibirse: consejos a un director de m\u00fasica","mp3":"\/mp3\/1764\/0050_spa_f_cantar_para_exhibirse_consejos_a_un_director_de_musica_1764_230.mp3#duration=41&size=764199"},{"para_id":"1764.233","title":"M\u00fasica que ofende a Dios","mp3":"\/mp3\/1764\/0051_spa_f_musica_que_ofende_a_dios_1764_233.mp3#duration=48&size=803242"},{"para_id":"1764.236","title":"M\u00fasica aceptable para Dios","mp3":"\/mp3\/1764\/0052_spa_f_musica_aceptable_para_dios_1764_236.mp3#duration=27&size=678435"},{"para_id":"1764.240","title":"Cap\u00edtulo 9\u2014Testimonio a un director de coro susceptible","mp3":"\/mp3\/1764\/0053_spa_f_capitulo_9_testimonio_a_un_director_de_coro_susceptible_1764_240.mp3#duration=13&size=595397"},{"para_id":"1764.243","title":"La mundanalidad en la m\u00fasica","mp3":"\/mp3\/1764\/0054_spa_f_la_mundanalidad_en_la_musica_1764_243.mp3#duration=63&size=896345"},{"para_id":"1764.246","title":"M\u00fasica dignificada, solemne e impresionante","mp3":"\/mp3\/1764\/0055_spa_f_musica_dignificada_solemne_e_impresionante_1764_246.mp3#duration=102&size=1129582"},{"para_id":"1764.251","title":"No se tocan sentimientos ni se subyuga el coraz\u00f3n","mp3":"\/mp3\/1764\/0056_spa_f_no_se_tocan_sentimientos_ni_se_subyuga_el_corazon_1764_251.mp3#duration=65&size=902902"},{"para_id":"1764.255","title":"Todas las cosas deb\u00edan hacerse a su gusto","mp3":"\/mp3\/1764\/0057_spa_f_todas_las_cosas_debian_hacerse_a_su_gusto_1764_255.mp3#duration=91&size=1062858"},{"para_id":"1764.260","title":"El poder de la m\u00fasica","mp3":"\/mp3\/1764\/0058_spa_f_el_poder_de_la_musica_1764_260.mp3#duration=88&size=1045598"},{"para_id":"1764.264","title":"Los tonos m\u00e1s suaves son ahogados","mp3":"\/mp3\/1764\/0059_spa_f_los_tonos_mas_suaves_son_ahogados_1764_264.mp3#duration=63&size=891648"},{"para_id":"1764.270","title":"Ap\u00e9ndice 1\u2014Una filosof\u00eda adventista acerca de la m\u00fasica","mp3":"\/mp3\/1764\/0060_spa_f_apendice_1_una_filosofia_adventista_acerca_de_la_musica_1764_270.mp3#duration=237&size=1940156"},{"para_id":"1764.283","title":"Definiciones","mp3":"\/mp3\/1764\/0061_spa_f_definiciones_1764_283.mp3#duration=82&size=1004947"},{"para_id":"1764.286","title":"Principios guiadores para el cristiano","mp3":"\/mp3\/1764\/0062_spa_f_principios_guiadores_para_el_cristiano_1764_286.mp3#duration=223&size=1852129"},{"para_id":"1764.304","title":"Ap\u00e9ndice 2\u2014La m\u00fasica en la IASD de Sudam\u00e9rica","mp3":"\/mp3\/1764\/0063_spa_f_apendice_2_la_musica_en_la_iasd_de_sudamerica_1764_304.mp3#duration=232&size=1909631"},{"para_id":"1764.318","title":"1. El m\u00fasico","mp3":"\/mp3\/1764\/0064_spa_f_1_el_musico_1764_318.mp3#duration=132&size=1309537"},{"para_id":"1764.334","title":"2. La m\u00fasica","mp3":"\/mp3\/1764\/0065_spa_f_2_la_musica_1764_334.mp3#duration=137&size=1335426"},{"para_id":"1764.343","title":"3. La letra","mp3":"\/mp3\/1764\/0066_spa_f_3_la_letra_1764_343.mp3#duration=51&size=823433"},{"para_id":"1764.350","title":"4. La alabanza de la congregaci\u00f3n","mp3":"\/mp3\/1764\/0067_spa_f_4_la_alabanza_de_la_congregacion_1764_350.mp3#duration=141&size=1363053"},{"para_id":"1764.367","title":"5. Los instrumentos","mp3":"\/mp3\/1764\/0068_spa_f_5_los_instrumentos_1764_367.mp3#duration=93&size=1074060"},{"para_id":"1764.374","title":"6. Las producciones musicales","mp3":"\/mp3\/1764\/0069_spa_f_6_las_producciones_musicales_1764_374.mp3#duration=70&size=935045"},{"para_id":"1764.380","title":"7. La educaci\u00f3n musical","mp3":"\/mp3\/1764\/0070_spa_f_7_la_educacion_musical_1764_380.mp3#duration=85&size=1027780"},{"para_id":"1764.387","title":"8. La administraci\u00f3n de la m\u00fasica en la iglesia","mp3":"\/mp3\/1764\/0071_spa_f_8_la_administracion_de_la_musica_en_la_iglesia_1764_387.mp3#duration=106&size=1149574"},{"para_id":"1764.397","title":"9. La m\u00fasica en la evangelizaci\u00f3n","mp3":"\/mp3\/1764\/0072_spa_f_9_la_musica_en_la_evangelizacion_1764_397.mp3#duration=37&size=740244"},{"para_id":"1764.400","title":"10. La m\u00fasica en el culto","mp3":"\/mp3\/1764\/0073_spa_f_10_la_musica_en_el_culto_1764_400.mp3#duration=64&size=900513"},{"para_id":"1764.407","title":"11. El equipo de audio y v\u00eddeo","mp3":"\/mp3\/1764\/0074_spa_f_11_el_equipo_de_audio_y_video_1764_407.mp3#duration=44&size=777121"},{"para_id":"1764.411","title":"12. La m\u00fasica secular","mp3":"\/mp3\/1764\/0075_spa_f_12_la_musica_secular_1764_411.mp3#duration=51&size=820684"},{"para_id":"1764.416","title":"Conclusiones","mp3":"\/mp3\/1764\/0076_spa_f_conclusiones_1764_416.mp3#duration=132&size=1306322"},{"para_id":"1764.428","title":"Gu\u00eda de estudio","mp3":"\/mp3\/1764\/0077_spa_f_guia_de_estudio_1764_428.mp3#duration=153&size=1436961"},{"para_id":"1764.458","title":"2. El uso eficaz de la m\u00fasica en Israel","mp3":"\/mp3\/1764\/0078_spa_f_2_el_uso_eficaz_de_la_musica_en_israel_1764_458.mp3#duration=73&size=953198"},{"para_id":"1764.475","title":"3. Caracter\u00edsticas de la buena m\u00fasica","mp3":"\/mp3\/1764\/0079_spa_f_3_caracteristicas_de_la_buena_musica_1764_475.mp3#duration=232&size=1908028"},{"para_id":"1764.516","title":"4. Lo que debe ser evitado","mp3":"\/mp3\/1764\/0080_spa_f_4_lo_que_debe_ser_evitado_1764_516.mp3#duration=102&size=1129620"},{"para_id":"1764.531","title":"5. M\u00fasica religiosa transformada en una trampa de Satan\u00e1s","mp3":"\/mp3\/1764\/0081_spa_f_5_musica_religiosa_transformada_en_una_trampa_de_satanas_1764_531.mp3#duration=223&size=1856372"},{"para_id":"1764.573","title":"6. La atracci\u00f3n de la m\u00fasica mundana","mp3":"\/mp3\/1764\/0082_spa_f_6_la_atraccion_de_la_musica_mundana_1764_573.mp3#duration=271&size=2142569"},{"para_id":"1764.623","title":"7. M\u00fasica secular","mp3":"\/mp3\/1764\/0083_spa_f_7_musica_secular_1764_623.mp3#duration=37&size=738647"},{"para_id":"1764.629","title":"8. Los m\u00fasicos","mp3":"\/mp3\/1764\/0084_spa_f_8_los_musicos_1764_629.mp3#duration=128&size=1285328"},{"para_id":"1764.650","title":"9. Testimonio a un director de coro susceptible","mp3":"\/mp3\/1764\/0085_spa_f_9_testimonio_a_un_director_de_coro_susceptible_1764_650.mp3#duration=205&size=1745574"}]